Cont .....To find the depth of field at a particular aperture, first focus the lens on the subject while looking through the viewfinder. Then check the numerals on the distance scale to determine the zone of focus for the aperture in use. The three photos shown clearly depict the changing depth of field,- with the photo to the right, the field is shallow at the f/4 setting, while the photo at the far right shows a depth of field extending from approximately 2.7m (9 ft) to infinity.
 |
 |
 |
Exposure Control
A basic Nikon F2 camera is meterless, so you will have to set aperture and shutter speed in accordance to the film speed in use for optimum exposure. The amount of light reaching the film plane is determined by a combination of the lens aperture and the shutter speed. Since the two are interrelated, different combinations will give the same exposure. A 1-step change in the shutter speed, or a 1-stop change in the aperture setting, will either halve or double the exposure. For example, a shutter speed of 1/125 second passes twice as much light as a setting of 1/250 second, and only half as much light as a speed of 1/60 second; for an aperture setting of f/11, twice as much light as f/16, and half as much as f/8, is passed. This feature characterizes the operation throughout the available range of shutter speeds and aperture settings. With this in mind, it's easy to see that if a correct exposure for a scene is 1/125 at f/11, then 1/60 at f/16 or 1/250 at f/8 will be equally acceptable.
The best combination for your needs will depend on the results desired. Use fast shutter speeds to freeze motion, or use slow speeds to produce deliberate and creative blur. Small apertures give greater depth of field, while large apertures restrict sharp focus to the main subject. The creative selection of both speeds and apertures will greatly enhance your photography.
Example:
| Shutter speed (sec.) |
1/2000 |
1/1000 |
1/500 |
1/250 |
1/125 |
| Aperture (f/number) |
4 |
5.6 |
8 |
11 |
16 |
High-Contrast
Lighting Situations
When
there are substantial brightness differences between the main subject and the background,
unimportant bright spots or dark spots can adversely influence the finder reading,
and thus the final exposure. To prevent under- or overexposure of the main subject
under these shooting conditions, some corrective action must be taken to ensure proper
exposure of the main subject. Fortunately, the finder's center-weighted TTL metering
action simplifies adjustments, making for quicker camera operation and more accurate
final results.
 |
Metering with a bright area in the center will cause underexposure of the main subject. |
To compensate for an excessively bright or dark background, target the main subject in the center of the focusing screen while performing metering, this action ensures that the main emphasis of the meter reading will be on the chosen subject. Then, after completing aperture and shutter speed adjustments, recompose to the desired picture composition and make the exposure without readjusting the camera controls. For example, when shooting landscapes, it is often advisable to aim the camera slightly downward during exposure measurement to eliminate the effects of a bright expanse of sky; without such compensation, the landscape may appear underexposed in the final print. Also, for backlit subjects, it may be necessary to move closer to the subject to ensure a proper reading.
| Previous | NEXT | 8 / 12 Flash photography, various function of features provided, prism and lens changing
| Back | Index Page - Nikon F2
| Message Board | for
your favourite Nikon
F2 Series SLR model(s)
| Message Board | for your Nikon Optics in a shared environment
| Message Board | Specifically for Dispose or Looking for Nikon/Nikkor Photographic
Equipment
| Back |
to Main
Index Page of Nikon
F2 Series SLR models
| Back | Main Index Page of
Pictorial History of Nikon SLRs
 |
The Eyes of Nikon:- |
Fisheye-Nikkor Lenses - Circular | Full Frame | Ultrawides Lenses - 13mm15mm18mm20mm | Wideangle Lenses - 24mm28mm35mm |
Standard Lenses - 45mm 50mm 58mm | Telephoto Lenses - 85mm105mm135mm180mm & 200mm |
Super-Telephoto Lenses - 300mm 400mm 500mm 600mm 800mm 1200mm |
Special Application lenses:
Micro-Nikkor Lenses - 50mm~55mm -60mm 85mm -105mm 200mm Micro-Zoom 70-180mm
Perspective Control (PC) - 28mm 35mm PC-Micro 85mm
Dedicated Lenses for Nikon F3AF: AF 80mm f/2.8 | AF 200mm f/3.5 EDIF
Depth of Field Control (DC): 105mm 135mm
Medical Nikkor: 120mm 200mm
Reflex-Nikkor Lenses - 500mm 1000mm 2000mm
Others: Noct Nikkor | OP-Nikkor | UV Nikkor 55mm 105mm | Focusing Units | Bellows-Nikkor 105mm 135mm
Nikon Series E Lenses: 28mm35mm50mm100mm135mm | E-Series Zoom lenses: 36~72mm75~150mm70~210mm
MF Zoom-Nikkor Lenses: 25~50mm | 28~45mm | 28~50mm | 28~85mm | 35~70mm | 36~72mm E | 35~85mm | 35~105mm | 35~135mm |
35~200mm | 43~86mm | 50~135mm | 50~300mm | 70~210mm E | 75~150mm E | 80~200mm | 85~250mm |
100~300mm | 180~600mm | 200~400mm | 200~600mm | 360~1200mm | 1200~1700mm
Tele-Converters: TC-1 | TC-2 | TC-200 | TC-201 | TC-300 | TC-301 | TC-14 | TC-14A | TC-14B | TC-14C | TC-14E | TC-16 | TC-16A | TC-20E
Nikon F
| Nikon F2 |
Nikon
F3
| Nikon F4 |
Nikon
F5
| Nikon F6 |
Nikkormat / Nikomat |
Nikon FM
| Nikon FE/ FA | Nikon EM/FG/FG20 | Nikon Digital SLRs | Nikon - Other models
MIR Supports for Photographic Community: Various Message Boards/Community
Forums
Nikon
F-series|
Nikon
F2-series|
Nikon
F3-series|
Nikon F4-series| Nikon
F5-series|Nikkormat/Nikomat-series
Nikon FM-series|Nikon
FE-series|Nikon
FA|Nikon
Digital
SLR
series|Various
Nikon
Models|Nikkor
Optic
-shared
Others:- Free Trade Zone - Photography| Free Trade Zone - Business Community |Free To Zouk - Photographic Community
Apple's Mac Public Community Message Board | Windows based PC &
Apple/Mac
Public Community Trade Exchange Centre
Recommended links to understand
more technical details related to the Nikkor F-mount and production Serial Number:
http://rick_oleson.tripod.com/index-153.html by: my friend, Rick Oleson
http://www.zi.ku.dk/personal/lhhansen/photo/fmount.htm by: Hansen, Lars Holst
http://www.mir.com.my/rb/photography/hardwares/nikonfmount/lens2.htm
http://www.photosynthesis.co.nz/nikon/serialno.html
About this photographic site.
 |
HOME - Photography in Malaysia |
 |
Copyright © 2000. leofoo ®. MIR Web Development Team.
In
memory of my friend Com.
Augusto Staut,
Brazil, 1971-2000.
Credit: Chuck Hester, US for his patience, encouragement
and help to setup the various content in this site; Robert Johnson for some of his original
images on the F2H-MD appeared in this site; my ex-staff, KiaSu for his superb
3-D logo appeared in this Nikon F2 site; Marc Vorgers from Holland who
generously provide me with some of his images of F2AS; MCLau®, who has so much time with me to
re-edit the content in this site and not to mention buying a Nikon Coolpix 990 just
for this site. Keat Photo,
Kuala Lumpur for providing
their Nikon F2A to take some images for this site; again, Mr Edward Ngoh the
great camera collector who provides us his collection of F2AS with MD-2; hawkeye.photographic.com
for their images on the Speed Magny film backs; Sean Cranor for his image
on Nikon F2 25th Anniversary Model; Ted Wengelaar®, Holland for his continuous
flow of input on some of the early Nikon bodies; CYLeow ® , photo editor of the Star
newspaper, Malaysia for some of his images used in this site. Ms Rissa Chan, Sales manager from
Shriro Malaysia who has helped to provide some of the very useful input. HiuraShinsaku®,
Nikomat ML, Japan for some of his images on various F2 models; my staff, Wati, Maisa, Mai and my nephew, EEWyn®, who volunteered and helping me
did so many of the film scanning works. Contributing photographers or resellers:
Jen Siow, Foo KokKin, Arthur Teng, Mark Fallander, John
Ishii, Ed Hassel, YoonKi Kim, Jean-Louis, M.Dugentas (Dell Corner.com.), Mr "Arsenall" and a few images mailed
in from surfers with no appropriate reference to their origin. Dedicated to KU Yeo, just to express our mutual regrets over the outcome of
a recent corporate event. Made with a PowerMac, broadcast with a Redhat Linux powered server.
