Classic SLR Series
This unit was introduced towards the end of the F2's career. Its design blends elements of the PB-3 and PB-4.
Like the PB-4, both the front and rear standards may be moved independently, and the tripod mounting foot may also be moved along its own track (it has a total travel of 180mm); the top and bottom tracks have a dovetail cross-section, like the PB-3. It also offers the longest extension of any Nikon bellows, from 48 to 208mm (which can be extended to a mind-boggling 438mm with the appropriate extension bellows), continuously variable, of course.
Unfortunately, the front standard neither swings nor shifts, so perspective and focal plane controls are not as extensive as the PB-4's.
The PB-6's front standard can do a variety of tricks which make it useful for all but the very dedicated Schiempflug Principle photographer. It incorporates a plunger-operated semi-automatic diaphragm (like the BR-4) and may be used with the lens reversed without resorting to a BR-2 (or BR-5).
PB-6D Bellows Rail Spacer
This little widget mounts between a bellows standard and the focussing rail of the PB-6. It provides enough room to mount a motorised camera (or that hulking F4/F5 beast you have lurking around somewhere) on the PB-6.
Note that you will need two of these, one for the front and one for the rear standard. On the other hand, with the appropriate lens (probably a converted large format lens with fairly long infinity flange-to-film-plane focus distance), you could probably use these singly to provide either front standard rise (slip a PB-6D under the front standard only) or drop (put a PB-6D under the rear standard only) for perspective control.
Of course, this is the PB-4 (not to mention also the Horseman View Camera Converter)'s raison d'etre ...
PB-6E Extension Bellows
This unit couples to the PB-6 and offers from 83 to 438mm of extension. It attaches to the PB-6's moveable tripod foot (no longer moveable with the PB-6E hanging off of it) via a plate that is threaded with a standard 1/4-20 tripod socket. Yes, if you really wanted to, you can now get that 400f/4.5 out to slightly beyond 1:1.
Based on a picture that I have, it seems that you mount this accessory between the front and rear standards -- detach the front standard from the PB-6, attach the free end of the bellows to the back end of the PB-6E, hook the two focussing rails together, and the slide the front standard onto the front of the PB-6E, securing it to the free end of the PB-6E's bellow (Nikon even says that the standard on the PB-6E is a "center" standard).
Slide Copying Attachment
This is the unit to use with the original Bellows 2 or 2a. It holds a slide, has its own bellows, and attaches to the front of the lens via a 52mm thread. It has a rod which engages the corresponding socket in the front "foot" of the Bellows 2. With this unit, you may copy from 1x to 2x (of the middle, since the unit itself does not allow shifts) of the slide. Nikon has been very kind and provided you with two circular trays on either side of the unit to hold unmounted film rolls.
PS-4 Slide Copying Adapter
This unit is similar to the original Slide Copying Adapter, with the addition (possibly) of shifting movements for the actual slide holder. The slide may be moved up to 6mm vertically or 9mm horizontally.
It also has its own bellows (with 60mm extension) to shield the original from stray light and added circular film-roll trays. The 55f/3.5 Micro Nikkor is the preferred lens for use with this adapter, with the 50f/2 also quite acceptable.
Its main technical highlights are: Extremely Sturdy Metal Constructions; permits greater than 1:1 Reproduction ratio; built-in roll film holders; shift matched to PB-4 Bellow; Built-in Illuminator Panel which can either be used with available light or flash; built to match PB-4 bellow.
PS-5 Slide Copying Adapter
Just as the PB-5 was a simplified PB-4, so is the PS-5 a simplified PS-4, lacking the film trays and shifting movements. Both the PS-4 and PS-5 feature magnets to hold their bellows shut when not in use.
PB-6M Macro Copy Stand
Provides the PB-6 with a convenient stand for small items. 18% grey surface.
ES-1 Slide Copying Attachment
This gizmo fits into the front of a 55mm Micro-Nikkor, and, presumably, allows for exact duplication of slides by holding the slide at the proper distance when at 1:1 and providing for illumination through an opal light window.
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| Back | Main Index Page of Macro/Micro/Close-Ups Photography
System Accessories: Motor Drives / Prisms / Screens / Macro / Film Backs / Flash Other Accessories: DS-1 / DS-2 / DS-12 / eyepiece / DH-1 / cases / Cable releases / Miscellaneous
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The Eyes of Nikon:-
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Nikon Manual Focus Nikkor lenses- Main Index Page
Fisheye-Nikkor Lenses - Circular | Full Frame | Ultrawides Lenses - 13mm15mm18mm20mm | Wideangle Lenses - 24mm28mm35mm |
Standard Lenses - 45mm 50mm 58mm | Telephoto Lenses - 85mm105mm135mm180mm & 200mm |
Super-Telephoto Lenses - 300mm 400mm 500mm 600mm 800mm 1200mm |
Special Application lenses:
Micro-Nikkor Lenses - 50mm~55mm -60mm 85mm -105mm 200mm Micro-Zoom 70-180mm
Perspective Control (PC) - 28mm 35mm PC-Micro 85mm
Dedicated Lenses for Nikon F3AF: AF 80mm f/2.8 | AF 200mm f/3.5 EDIF
Depth of Field Control (DC): 105mm 135mm
Medical Nikkor: 120mm 200mm
Reflex-Nikkor Lenses - 500mm 1000mm 2000mm
Others: Noct Nikkor | OP-Nikkor | UV Nikkor 55mm 105mm | Focusing Units | Bellows-Nikkor 105mm 135mm
Nikon Series E Lenses: 28mm35mm50mm100mm135mm | E-Series Zoom lenses: 36~72mm75~150mm70~210mm
MF Zoom-Nikkor Lenses: 25~50mm | 28~45mm | 28~50mm | 28~85mm | 35~70mm | 36~72mm E | 35~85mm | 35~105mm | 35~135mm |
35~200mm | 43~86mm | 50~135mm | 50~300mm | 70~210mm E | 75~150mm E | 80~200mm | 85~250mm |
100~300mm | 180~600mm | 200~400mm | 200~600mm | 360~1200mm | 1200~1700mm
Tele-Converters: TC-1 | TC-2 | TC-200 | TC-201 | TC-300 | TC-301 | TC-14 | TC-14A | TC-14B | TC-14C | TC-14E | TC-16 | TC-16A | TC-20E
Nikon F | Nikon F2 | Nikon F3 | Nikon F4 | Nikon F5 | Nikon F6 | Nikkormat / Nikomat |
Nikon FM | Nikon FE/ FA | Nikon EM/FG/FG20 | Nikon Digital SLRs | Nikon - Other models
MIR Supports for Photographic Community: Various Message Boards/Community Forums
Nikon F-series| Nikon F2-series| Nikon F3-series| Nikon F4-series| Nikon F5-series|Nikkormat/Nikomat-series
Nikon FM-series|Nikon FE-series|Nikon FA|Nikon Digital SLR series|Various Nikon Models|Nikkor Optic -shared
Others:- Free Trade Zone - Photography| Free Trade Zone - Business Community |Free To Zouk - Photographic Community
Apple's Mac Public Community Message Board | Windows based PC & Apple/Mac Public Community Trade Exchange Centre
Recommended links to understand more technical details related to the Nikkor F-mount and production Serial Number:
http://rick_oleson.tripod.com/index-153.html by: my friend, Rick Oleson
http://www.zi.ku.dk/personal/lhhansen/photo/fmount.htm by: Hansen, Lars Holst
About this photographic site.
HOME - Photography in Malaysia
Copyright © 2000. leofoo ®. MIR Web Development Team.
In memory of my friend Com. Augusto Staut, Brazil, 1971-2000.
Credit: Chuck Hester, US for his patience, encouragement and help to setup the various content in this site; Robert Johnson for some of his original images on the F2H-MD appeared in this site; my ex-staff, KiaSu for his superb 3-D logo appeared in this Nikon F2 site; Marc Vorgers from Holland who generously provide me with some of his images of F2AS; MCLau®, who has so much time with me to re-edit the content in this site and not to mention buying a Nikon Coolpix 990 just for this site. Keat Photo, Kuala Lumpur for providing their Nikon F2A to take some images for this site; again, Mr Edward Ngoh the great camera collector who provides us his collection of F2AS with MD-2; hawkeye.photographic.com for their images on the Speed Magny film backs; Sean Cranor for his image on Nikon F2 25th Anniversary Model; Ted Wengelaar®, Holland for his continuous flow of input on some of the early Nikon bodies; CYLeow ® , photo editor of the Star newspaper, Malaysia for some of his images used in this site. Ms Rissa Chan, Sales manager from Shriro Malaysia who has helped to provide some of the very useful input. HiuraShinsaku®, Nikomat ML, Japan for some of his images on various F2 models; my staff, Wati, Maisa, Mai and my nephew, EEWyn®, who volunteered and helping me did so many of the film scanning works. Contributing photographers or resellers: Jen Siow, Foo KokKin, Arthur Teng, Mark Fallander, John Ishii, Ed Hassel, YoonKi Kim, Jean-Louis, M.Dugentas (Dell Corner.com.), Mr "Arsenall" and a few images mailed in from surfers with no appropriate reference to their origin. Dedicated to KU Yeo, just to express our mutual regrets over the outcome of a recent corporate event. Made with a PowerMac, broadcast with a Redhat Linux powered server.