Classic SLRs Series :
One of the most made mistakes in SLR photography is the wrongly adjustment of ASA/ISO film speed setting, especially to those whose works always demand changing various types of film. This was patched by a combined effort from camera and film manufacturers with the implementation of the film speed DX-Coding system in later years. Virtually all current autofocus cameras on the market has this feature as standard for less errors and more responsive photography. While we acknowledge the contribution of this mechanism in the course of development of camera design, very few manual focus cameras has this feature incorporated. The Nikon FA is no exception. In fact, DX coding was first seen in a Nikon body in 1985. The F-301 finally has this 'modern' feature along with the an integral winder built in the body, this is also another first in a Nikon.
Setting the Film Speed
The film speed dial for film speed adjustment is located directly under the rewind knob. It is set for the appropriate film speed by lifting the ring (2) and turning it in either direction so that the film speed index (1) is aligned with the desired ASA/ISO setting.
Why is this adjustment important ? Because to program the camera to give the correct exposure with a particular film, you must set the camera to the correct film speed. If you have loaded a film with ASA/ISO 100, just make sure the film speed setting is alligned to '100'. If you have loaded a film with light sensitive, say ASA/ISO 400 and forget to adjust the setting, an error of this will cause ALL exposures in your film and underexposued by two stops !
For rapid reference, the red index dot is marked red. So does the two most commonly used film speed in 100 and 400. The scale on the ASA/ISO dial has settings from ASA/ISO 12 to 4000. Two lines between each number stand for intermediate settings, such as 64, 80, etc. The film speed, indicated by an ASA/ISO number printed on both the film carton and cartridge, is a numerical rating of the film's sensitivity to a given amount of light: the higher the number, the greater the sensitivity, and vice versa.
You have to have a rough idea how this works. Because, apart from serving its main fucntion, some seasoned photographers use this to 'compensate' and 'fool' the camera exposure meter reading for a given subject of high contrast range. e.g. if you are using ASA/ISO 100 film, intentional setting of the film speed to '200' will be one stop under exposure and if that was adjusted to '50' will compensate the exposure by one stop over-exposure. Only a handful of top notch AF cameras allow you to manually over-ride the automatic DX coding in the camera now.
Note: Make sure you are more familiar with the camera before you apply this technique.
Warning Make sure that the exposure compensation dial is set at neutral point i.e.'0'. If not, turn the dial until the 0 click stops opposite the red index line while depressing the exposure compensation dial locking button . The command center for operations in the Nikon FA is mainly concentrate on the right hand side of the camera.
Apart from the centre, where the flash accessory shoe for flash (1) locates, the right portion of the camera has the main shutter speed ring for variable shutter speed settings (2), including the dual mechanical back up speed in M250 and 'B' (3); the film advance lever which doubled as Shutter lock (4), the four exposure control modes (5) in 'P' (Dual Program AE), 'S' (Shutter Priority AE), 'A' (Aperture Priority AE) and 'M' (Manual Exposure). The threaded shutter release button also acts as a meter turn-on button (6) and next to it are the exposure counter (7) which keep you inform number of expsoure left/taken and also the multiple exposure lever (8) which you can handle in one hand operation. The tiny symbol just below the shutter speed dial is the film plane indicator (9) and another button just below it is the shutter speed dial lock button (10). You are always encouraged to refer to main reference map for cross references before you are totally familiarise with the camera. I don't simply cook and prepared 'meal' like that without an positive purpose. As earlier sections, we have discussed the film advance lever, the shutter release button and the exposure counter that are relative to loading and unloading the film. So the next section, we will commence on the other features.
| Back | Next | 4/13 parts
| Back | to Main Index Page of Nikon FA
Other Technical Issues Relating to Nikon FA
Camera Instruction Manual - HTML | PDF (1.4 MB)
Main Reference Map for Body - HTML | PDF (731k)
Specifications - HTML | PDF (245k)
The AI-S Nikkors (related info | TTL OTF Flash Metering | Interchangeable Focusing Screens. The MD-15/MD12/MD11 Motor Drives | 3rd party Power Winder (new) | Flash Units - | SB-15 | SB-10 | SB-16B & Other Options | Databacks | Titanium Shutter | Variation : Mr Y K Wong from Singapore contributing 11 images of his Nikon FA GOLD
| Nikon FM series | Nikon FE series | Nikon FA |
W A R N I N G: The New G-SERIES Nikkor lenses have no aperture ring on the lens, they CANNOT ADJUST APERTURES with any of these manual focus Nikon FE series SLR camera models; please ignore some portion of the content contained herein this site where it relates.
| Message Board | for your favourite Nikon FA camera
| Message Board | for your Nikon Optics in a shared environment
| Message Board | Specifically for Dispose or Looking for Nikon / Nikkor Photographic Equipment
Shared Resources: MD-11 | MD-12 | 3rd Party Power Winder Only for FM2(n)/FE2/FA | Focusing Screens | Titanium Shutter | Flash Units - | SB-15 | SB-10 | SB-16B & Other Options | Databack | Nikkor lens mount (related info)
Others:- Nikon AF-TTL Speedlights | SB-20 (1986) | SB-22 (1987) | SB-23 | SB-24 (1988) | SB-25 (1991/2) | SB-26 (1994) | SB-27(1997) | SB-28 (1997) | Nikon SB-29(s) (2000) | Nikon SB-30 (2003) | Nikon SB-600 (2004) | Nikon SB-800 (2003) Nikon AF-TTL Speedlight DX-Series: Nikon SB-28DX (1999) | SB-50DX (2001) | SB-80DX (2002)
Nikon BC-flash Series | Original Nikon Speedlight
SB-2 | SB-3 | SB-4 | SB-5 | SB-6 | SB-7E | SB-8E | SB-9 | SB-E | SB-10
SB-11 | SB-12 | SB-14 | SB-140 UV-IR| SB-15 | SB16A | SB-17 | SB-18, SB-19 | SB-21A (SB-29) Macro flash | Flash Accesories | SF-1 Pilot Lamp
Nikon F | Nikon F2 | Nikon F3 | Nikon F4 | Nikon F5 | Nikon F6 | Nikkormat / Nikomat | Nikon FM | Nikon FE/ FA | Nikon EM/FG/FG20 | Nikon Digital SLRs | Nikon - Other models
Nikon Auto Focus Nikkor lenses:- Main Index Page
Nikon Manual Focus Nikkor lenses:- Fisheye-Nikkor Lenses - Circular | Full Frame | Ultrawides Lenses - 13mm15mm18mm20mm | Wideangle Lenses - 24mm28mm35mm | Standard Lenses - 45mm 50mm 58mm | Telephoto Lenses - 85mm105mm135mm180mm & 200mm | Super-Telephoto Lenses - 300mm 400mm 500mm 600mm 800mm 1200mm |
Special Application lenses:
Micro-Nikkor Lenses - 50mm~55mm -60mm 85mm -105mm 200mm Micro-Zoom 70-180mm
Perspective Control (PC) - 28mm 35mm PC-Micro 85mm
Dedicated Lenses for Nikon F3AF: AF 80mm f/2.8 | AF 200mm f/3.5 EDIF
Depth of Field Control (DC): 105mm 135mm
Medical Nikkor: 120mm 200mm
Reflex-Nikkor Lenses - 500mm 1000mm 2000mm
Others: Noct Nikkor | OP-Nikkor | UV Nikkor 55mm 105mm | Focusing Units | Bellows-Nikkor 105mm 135mm
Nikon Series E Lenses: 28mm35mm50mm100mm135mm | E-Series Zoom lenses: 36~72mm75~150mm70~210mm
MF Zoom-Nikkor Lenses: 25~50mm | 28~45mm | 28~50mm | 28~85mm | 35~70mm | 36~72mm E | 35~85mm | 35~105mm | 35~135mm | 35~200mm | 43~86mm | 50~135mm | 50~300mm | 70~210mm E | 75~150mm E | 80~200mm | 85~250mm | 100~300mm | 180~600mm | 200~400mm | 200~600mm | 360~1200mm | 1200~1700mm
Tele-Converters: TC-1 | TC-2 | TC-200 | TC-201 | TC-300 | TC-301 | TC-14 | TC-14A | TC-14B | TC-14C | TC-14E | TC-16 | TC-16A | TC-20E
Recommended links to understand more technical details related to the Nikkor F-mount and production Serial Number:
http://rick_oleson.tripod.com/index-153.html by: my friend, Rick Oleson
http://www.zi.ku.dk/personal/lhhansen/photo/fmount.htm by: Hansen, Lars Holst
| Back | Main Index Page of Nikkor Resources
| Back | Main Index Page of Pictorial History of Nikon SLRs
| Message Board | for your Nikkor optics ("shared" because I do wish some of you to expose to other's perspective as well. Isn't it a sad sate to see photography has to be segmented into different camps from the use of various labels)
about this photographic web site
Home - Photography in Malaysia
A contributing effort to Michael C Liu's Classic Nikon Site.
Credit: Chuck Hester for some of his beautiful images used in this site; Ted Wengelaar®, Holland for his continuous flow of input; Lars Holst Hansen, Danish 'Hawkeye' who shares the same passion; Mr Poon from Poon photo for their input; Ms Miss Rissa (Sales Manager) & members of the Technical Service dept. of Shriro Malaysia, local distributor of Nikon cameras in Malaysia & Singapore, in providing so many useful input to make this site possible. Special thanks to Mr MC Lau, who has helped with his images of the MF-12 databack. Michael Tan, Pertama Photo (603-2926505) for lending his original Titanium Shutter Display Unit. Dave Hoyt who has prepared the introductory page and offer some images of his FE2 in this site.. Hiura Shinsaku, Nikomat ML, Japan for his contribution on all the various images; A contributing site to a long lost friend on the Net. Note: Certain content and images appeared in this site were either scanned from official marketing leaflets, brochures published by Nikon and/or contribution from surfers who claimed originality of their own work to publish in this site based on educational merits. The creator of this site will not be responsible for any discrepancies that may arise from such possible dispute except rectifying them after verification."Nikon", "Nikkormat", "Nippon Kokagu KK" & "Nikkor" are registered tradename of Nikon Corporation Inc., Japan. Made witha PowerMac.