PEntax LX 250 Bulk Film Back.jpg (17k)

Modern Classic SLRs Series :
Pentax LX - Message Board/Guestbook

Industry wide indications and ceasing film body development by Pentax altogether in early 2003 more than suggest the manual focus Pentax LX will not be having an upgrade (except, perhaps for very rare Limited Edition Models hand assembled by special commission by the new HoyaPentax Corporation). In 2008 Pentax became a division of Hoya Corporation, which had together with Pentax released jointly developed professional grade optics (since 2005); Pentax has shifted its attention to development of auto focus Digital SLRs having build qualities constructed for the long run--now with weather seals--like the LX. You may use this site for common support and sharing of mutual users knowledge or experiences among yourselves. You may also use this message board as a guestbook for the advanced users Pentax SLR cameras from the LX forward, including many such auto focus film cameras, and Pentax digital SLR cameras. We keep the site going too for the WORD SEARCH FEATURE found here as to its magnificent K mount system user archives: as have been shared here for many years. Have an inquiry related to Pentax gear? First try KEYING IN YOUR KEY WORD(S) for a preexisting archived response on your subject of inquiry from this LX site. If your inquiry or sharing is from advanced users K10D, K20D, or K200D SLR needs, proceed on to t NEW PENTAX ADVANCED USERS K10D, K20D SLR site.

This LX site was specifically created for the great Pentax LX SLR camera model(s), and now has incorporated increased opportunity for an expanded interchange with the introductions of the Pentax K10D, K20D, and K200D SLRs to include advanced and professional digital user models. Interchange is encouraged with the intention to continue as a forum for advanced system users of past K-mount film based SLR systems and the mentioned Pentax DSLRs. With decreasing forum traffic here, and enthusiasts moving on with SLR digital imaging products futures, we hope the continued convenience of this site and its past Pentax advanced LX users data archives--provided by the database KEY WORD SEARCH FEATURE found here--can be very useful to you. Most past site user techniques, systems components, and lenses of Pentax advanced applications--as have been past examined by users on this site--are still of use regarding the newest Pentax SLRs. Please don't mail us with other than constructive suggestions or to rectify mistakes found within this site, thank you. Since this is a non-profitable resource site, maintained by professional and advanced system users, the developer of this site reserves the rights to censor or delete any inappropriate, unrelated, misleading or excessively hostile messages posted herein. If your intention is to dispose of your Pentax cameras or its accompanying accessories and/or you are looking for a used model, or even for any of its system components: please use a separate section with a higher volume of related traffic for these purposes: on the
Free Trade Zone site instead. The Photography In Malaysia sites sponsor has no Guestbook standing on its own, because it is an integral part of the MIR site. But if you want to leave a note on your experience of visiting our site and its service, you may use the MIR's Guestbook found at another new window by clicking on the Guestbook Link.

Add a Posting to the Message Board
A kind reminder: Please do not misuse of this message board system.

Main Index Page of Pentax LX SLR Website

The respective Message Boards are some of the HARDEST hit sections of the PIM served sites; if, at any one time, the traffic is high--the table of contents or individual pages may take a while to load your input data, or our's. So, just be patient. If your interaction stalls, just click on the 'Reload' or 'Refresh' button on your browser menu once to re-attempt interaction here. Thank you. Welcome to MIR!

Search keyword(s)(Case Sensitive) within :
     

 



1. From : Jay (ibcom@onebox.com)
Url : http://
Date : 09:39 AM Saturday 12 February, 2005

Dan, Do a word search here on our site on film scanners, past discussed. Nikon has the contract for the latest autodust removal program releases, and uses a different illuminance source than Konica-Minolta. These present other tradeoffs than price alone. A test revealing differences between the two, via a cited web review on an extensive gear user test site, was past posted. These were strictly the 35mm scanners, not going up to 6CM, but each of the same technology. Both companies are supposed to release other more advanced direct filmscan units this spring, also past discussed on our site. --Jay


2. From : Dan (dgrimes@unlv.nevada.edu)
Url : http://
Date : 05:21 AM Saturday 12 February, 2005

Corrections and Additional Information:

Konica Minolta DiMage Scan Scan Elite resolution:
5400 dpi;
35mm scan (stated on specs.)= 5232 x 7800 pixels (40MP);
ACTUAL SENSOR= 5300 pixels per line, 3-line RGB CCD

Konica Minolta DiMage Scan Multi PRO resolution:
4800 dpi (interpolated);
35mm scan = 4728 x 7008 pixels (33MP);
6x9 scan = 10692 x 15840 pixels (169MP);
ACTUAL SENSOR= 7260 pixels per line, 3-line RGB CCD.
So optically if the 7260 pixels are across 56.58mm (their spec.), straight scans must be about 128 pixels per mm:
35mm scan = 3210 x 4736 (15MP);
6 x 9 scan = 7260 x 10730 (18MP).

Nikon Coolscan V ED and 5000 ED Resolution:
4000 dpi (pixels per inch);
35mm scan (appr.)= 3876 x 5512 (21MP);
ACTUAL SENSOR: 3964 pixel/line, 2-line (5000 ED) linear CCD (Coolscan V ED is single line).

Nikon Coolscan 9000 ED Resolution:
4000 dpi true optical resoulution (pixels per inch);
35mm scan (appr./calc.)= 3876 x 5512 (21MP)
6 x 9 scan (appr./calc.)= 8819 x 13230 (116MP)
ACTUAL SENSOR: 10,000 pixel, 3-line monochrome linear CCD

Also, all but the Nikon Coolscan V ED are 16 bit and will do multi-sample scanning up to 16x. My target resolutions will probably be 12 to 20 Megapixels, so I think all imagers will work. Do you think I need to worry about higher resolution scans? So based on specs, I think the choice is either the Dimage Elite for max resolution and low price, Nikon 5000 ED for speed and convenience, or the Nikon 9000 ED for medium format. Any opinions? Dan


3. From : Dan (dgrimes@unlv.nevada.edu)
Url : http://
Date : 04:25 AM Saturday 12 February, 2005

I did more research for scanners. I did not like the Epson scanners: flatbed only.

Found the following options to be the best:
Konica Minolta DiMage Elite (35mm; $560),
Konica Minolta DiMage Multi PRO (35mm & 6cm; $1600),
Nikon Coolscan V ED (35mm, $600),
Nikon 5000 ED (35mm w/roll load, $1500),
Nikon 9000 ED (35mm & 6cm; $2000).

I am leaning toward the Nikon 9000 ED so I can do both 35mm and 6cm. Does anyone think I am wasting my money? The work will pay for it, but eats into the profits. If I go 35mm, I would like the 5000 ED so I can batch capture to save time. But it costs money to save time. Even though the resolution of the Minoltas are higher (5400dpi vs. 4000dpi), I believe 4000 dpi is good enough for my LX resolution. Thoughts on this? Dan


4. From : AB (nuzzlemuff@fsmail.net)
Url : http://
Date : 04:20 PM Friday 11 February, 2005

I had this problem with the 500 4.5 despite using a big heavy Manfrotto (Bogen) and the 500 has a tripod bush. I found it was less springy simply resting the lens on a beanbag on the tripod head but of course you can't do long exposures. The springyness tends to ruin shots in the 1/125 - 1/15 region, the beanbag damps it enough for use down to 1/30th or so. AB


5. From : Jay (ibcom@onebox.com)
Url : http://
Date : 03:14 PM Friday 11 February, 2005

Jorge, Again, look under camera support and tripods under our site word search feature. Which 300MM lens? Is it the M* or A* Pentax? If you are insistent on your existing tripod, a weight can be suspended from all three legs, mid-length, or from the fulcrum convergent under head point. The lens may still sway, it may not. Another help is to place one's body weight down on the tripod, and/or tripod and secure camera, or use the reverse beanbag technique. This is to get your shot locked, put a beanbag on the camera top and bear down a bit on it while using a remote to fire off shots. I use large ball heads, and the other techniques discussed long ago on this site. These included: using a reasonable diameter plastic drain pipe with two Vs cut in opposite sides of the circle, one slightly lower than the other, wide enough to carry your long lens; using a car hood with a jacket or beanbag supporting the camera; and using certain body prop techniques against stationary objects along with a monopod. Search, read, and try. --Jay


6. From : Jorge (jnunez@ap.org)
Url : http://
Date : 05:14 AM Friday 11 February, 2005

All, HAVE LX with 300mm lens (no tripod collar) on tripod. When on it, lens is very springy and bounces for a while before settling. Soon as I touch tripod, everything bounces again!. Any ideas how to stabilze it. tripod is Gitzo 1228. thank you, Jorge


7. From : William D. Tallman (wtallman@olypen.com)
Url : http://
Date : 02:59 PM Thursday 10 February, 2005

Thanks to Michael for his comments!! Think I'll check out Colorado next. Bill Tallman


8. From : Mico (micolx@netscape.net)
Url : http://
Date : 07:54 AM Thursday 10 February, 2005

Christopher, "sticku mirror" is mostly related to the camera age and "terms and conditions" of storage and use. As far as I know, same rubber dampers were used on all LX cameras. So, do not bother thinking about this for at least 10 years. I still have one LX, from 1991, with factory installed dampers and it is 100% fit.
Regarding LX 2000 improvements, it should be identical to the latest regular LX series, aside luxury details and finish. M.


9. From : Jay (ibcom@onebox.com)
Url : http://
Date : 09:41 AM Tuesday 08 February, 2005

Chris, It is once again clear that our word search feature, on the guestbook site, is your best option to answer your inquiry. All models, and websites which cover the differences have been written about in detail in the past. I, in particular, gave a then-complete list of websites covering the LX, and related lenses. Others will probably write with their pet historical websites. Our host site too has some information, visually, and with words, on the changes. Some sites actually have photo sections of the bodies with the minor differences in late model LXs. Early to late LX changes show some greater differences: like the additional meter switch, the raised collar on the shutter guard, the changes in the dot pattern on the shutter curtain, and, of course, the cosmetic differences in body metals and finishes. The ISO dials have some cosmetic and range differences (early to late models). Further, the three chrome A series lenses of the latter 90's were designed with the LX 2000 in mind, as a nice collector's package. These lenses are among the very highest performing Pentax ever produced. Kept pristine, the whole system will go up in value. --Jay


10. From : Christopher E. (engel001@yahoo.com)
Url : http://
Date : 06:43 AM Tuesday 08 February, 2005

I was fortunate to acquire a LX 2000 last year, a very beautiful camera. Does anybody know if there were there design changes or improvements involved? Specifically, have the "sticky mirror" problems been addressed? What are the differences between regular and late Pentax LX's? Thanks!!


PAGE | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | 181 | 182 | 183 | 184 | 185 | 186 | 187 | 188 | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | 202 | 203 | 204 | 205 | 206 | 207 | 208 | 209 | 210 | 211 | 212 | 213 | 214 | 215 | 216 | 217




Maintainers for Pentax LX Series SLR Camera Models Message Board:
Tony Davies-Patrick (Globetrotter) (globetrotterworld@hotmail.com); Mico Smiljanic (micolx@netscape.net);
Jay Hart (ibcom@onebox.com); Philip Ashman (genesisphil@hotmail.com)

| Post a Message to the Message Board |

Archived Messages of Previous Postings
001-050 | 051-100 | 101-150 | 151-200

Back to Main Index Page of
Pentax LX SLR Camera Website


Back to Message Board of
Pentax LX
SLR Camera

Disposing/Looking
for New/Used photographic equipment

on Pentax LX SLR camera


Administrator Page

Home - Photography in Malaysia

Copyright © 2007. leofoo @. MIR Web Development Team.
Version three Re-Programmed by our in-house Fairuz Sulaiman, improved from original version by Ang Seng Leong ,Yeak Ngai Siew, Rizal Yahya, Halimaton Yahya (Members of the MIR Web Development Team)

MIR Guestbook On-line. Developed & Copyright@ 2001 by MIR Communications Sdn. Bhd.